The Triennale's approach and way of working is centered around openness and diverse practice, employing staff of different backgrounds and experience. The team works to establish this inclusivity in the Triennale programme as well, offering free access to all, multilingual texts, documentation and online archiving. The curation is also informed by these approaches, led by the work of Hong Kong curator Cosmin Costinas and the local Nepali curators Hit Man Gurung and Sheelasha Rajbhandari, deeply interested in redefining the borders of what constitutes ‘art’ and other indigenous crafts.
KT is funded by private donors, corporate sponsors, public and international granting bodies. It also relies on in-kind partnership with local institutions and companies offering production capabilities, venues, food & beverage, and human resources. The Triennale is built by like-minded institutions and individuals, growing with each iteration.
In the interest of full transparency, the Triennale wishes to make our project budget public, listed by category of spending in the diagram below. If you would like to support this project or partner with us, please visit the Supporters page.
